SEARCH RESULTS FOR: Basement Jaxx
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(Dance group, 1994–present) Producers, DJs and remixers Basement Jaxx (duo Felix Buxton and Simon Ratcliffe) rose to prominence in the mid-1990s, on the back of initial success at various south London club nights – most notably their highly eclectic but always uplifting Rooty evenings. On record, their sound lies somewhere between a carnival sound system and more ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Vocals, b. 1970) Damon Gough’s charming Badly Drawn Boy alter ego found initial (if cult) success on the roster of the UK’s DIY Twisted Nerve label. A folk singer with allusions of grandeur, Gough sidestepped the tag of troubadour by soundtracking the About A Boy film (2002) and steadily learning to incorporate string sections and orchestras into his sound. ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Next to The Beatles, Bob Dylan was the most influential artist of his generation, writing and performing songs whose poetic, sometimes-abstract, often-philosophical lyrics of astute commentary and therapeutic introspection spoke to the masses during an era of social unrest, political upheaval and radical change. While cross-pollinating folk and country with electric rock, Dylan elevated the ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

January ‘Please Please Me’ ‘Gentlemen, you have just recorded your first number one,’ producer George Martin told The Beatles after they’d completed ‘Please Please Me’. He was right … just. It was released on 11 January, the same day that The Beatles appeared on the influential Thank Your Lucky Stars networked ITV show. The single made the Top ...

Source: The Beatles Revealed, by Hugh Fielder

July First Gig, London Dressed in coats and ties, The Rollin’ Stones (as they were initially called, after a Muddy Waters song) performed their first live gig on 12 July at The Marquee Club, a tiny basement venue on London’s Oxford Street. Playing an hour’s worth of piano-driven R&B, they made £20 between them. The six-piece ...

Source: The Rolling Stones Revealed, by Jason Draper

April ‘Tumbling Dice’ Inspired by Monte Carlo casinos near to Keith’s Nellcote villa, ‘Tumbling Dice’ (No. 5 in the UK and No. 7 in the US) was a smoky jam telling the story of a gambler who can’t remain faithful to women. As the public’s first taste of the forthcoming Exile On Main St. album, it’s interesting in that ...

Source: The Rolling Stones Revealed, by Jason Draper

January/February Nicaragua, Hawaii, New Zealand And Australia Plans to tour the Far East were hampered when Tokyo refused to let convicted drug users Mick and Keith into the country. Performing an Earthquake Relief Benefit concert in Nicaragua as a warm-up show, the group then played two shows in Hawaii. They filled the Tokyo gap by travelling to LA ...

Source: The Rolling Stones Revealed, by Jason Draper

In its classic line-up, featuring singer-songwriter Mick Jagger (born 26 July 1943), guitarist/songwriter Keith Richards (born 18 December 1943), guitarist/multi-instrumentalist Brian Jones (1942–69), bass player Bill Wyman (born William Perks, 24 October 1936) and drummer Charlie Watts (born 2 July 1941), what came to be acclaimed and self-proclaimed as ‘The World’s Greatest Rock’n’Roll Band’ first achieved success and notoriety ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The rise of arena rock began in North America during the mid-1970s with a surge in the popularity of bands like Journey, Foreigner, Boston and Styx. Embraced by a network of FM radio stations, these bands and others like them became so profitable to their record companies that they almost represented a licence to print money. The formula ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Hank Williams Jr. (b. 1949) was only three years old when his daddy died, and he barely knew the man who was, arguably, the greatest honky-tonker of them all. But his widowed mother groomed her baby boy to imitate his papa as closely as possible. He was on stage by eight, in the recording studio by 14 ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

In our heads we can all imagine a noise called punk rock. It’s nasty, brutish and short. It’s played on cheap guitars at high speed. In fact it’s possibly played on cheap speed. The songs are basic to the point of wilful stupidity. If they have any message, it will probably be negative. The general effect will not be ...

Source: Punk: The Brutal Truth, by Hugh Fielder and Mike Gent
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